.svg)
David M. Schwartz: Difference between revisions
No edit summary |
No edit summary |
||
| Line 25: | Line 25: | ||
|} | |} | ||
'''David M. Schwartz''' (born August 13, 1953) is an [[wikipedia:United States|American]] [[wikipedia:Filmmaker|filmmaker]], [[wikipedia:Author|author]], [[wikipedia:Entrepreneur|entrepreneur]], and [[wikipedia:Civil and political rights|civil rights advocate]]. He is best known for directing and writing the underground [[wikipedia:Horror film|horror film]] ''[[wikipedia:Las Vegas Bloodbath|Las Vegas Bloodbath (1989)]]'', a cult favorite often described as one of the goriest B-movies in American cinema. | '''David M. Schwartz''' (born August 13, 1953) is an [[wikipedia:United States|American]] [[wikipedia:Filmmaker|filmmaker]], [[wikipedia:Author|author]], [[wikipedia:Entrepreneur|entrepreneur]], and [[wikipedia:Civil and political rights|civil rights advocate]]. He is best known for directing and writing the underground [[wikipedia:Horror film|horror film]] ''[[wikipedia:Las Vegas Bloodbath|Las Vegas Bloodbath (1989)]]'', a cult favorite often described as one of the goriest B-movies in American cinema. His work and advocacy reflect a lifelong dedication to creative freedom, independent filmmaking, and social justice. | ||
== Early life and education == | == Early life and education == | ||
| Line 33: | Line 33: | ||
Schwartz’s professional career began in the independent film scene of the 1980s, an era that saw a surge in low-budget [[wikipedia:Horror film|horror cinema]] and experimental moviemaking. His first major directorial project, ''[[wikipedia:American Revenge|American Revenge]]'' (1988), introduced audiences to his signature blend of raw emotion and unapologetic violence. | Schwartz’s professional career began in the independent film scene of the 1980s, an era that saw a surge in low-budget [[wikipedia:Horror film|horror cinema]] and experimental moviemaking. His first major directorial project, ''[[wikipedia:American Revenge|American Revenge]]'' (1988), introduced audiences to his signature blend of raw emotion and unapologetic violence. | ||
In 1989, Schwartz wrote and directed ''[[wikipedia:Las Vegas Bloodbath|Las Vegas Bloodbath]]'', a [[wikipedia:Splatter film|splatter horror]] that would cement his name in cult cinema. The film’s unfiltered brutality, unconventional camera work, and controversial subject matter polarized critics but built a loyal following among genre enthusiasts. | In 1989, Schwartz wrote and directed ''[[wikipedia:Las Vegas Bloodbath|Las Vegas Bloodbath]]'', a [[wikipedia:Splatter film|splatter horror]] that would cement his name in cult cinema. The film’s unfiltered brutality, unconventional camera work, and controversial subject matter polarized critics but built a loyal following among genre enthusiasts. Over time, it gained cult status as a defining work of 1980s [[wikipedia:Exploitation film|exploitation cinema]] and a landmark of DIY horror filmmaking. | ||
Schwartz’s ability to produce and market his films independently also reflected his entrepreneurial spirit. He founded small production entities that distributed underground titles and mentored emerging filmmakers on achieving creative control outside the studio system. | Schwartz’s ability to produce and market his films independently also reflected his entrepreneurial spirit. He founded small production entities that distributed underground titles and mentored emerging filmmakers on achieving creative control outside the studio system. | ||
| Line 48: | Line 48: | ||
== Filmography == | == Filmography == | ||
* ''[[wikipedia:American Revenge|American Revenge (1988)]]'' – Director, Producer | * ''[[wikipedia:American Revenge|American Revenge (1988)]]'' – Director, Producer | ||
* ''[[wikipedia:Las Vegas Bloodbath|Las Vegas Bloodbath (1989)]]'' – Director, Writer | * ''[[wikipedia:Las Vegas Bloodbath|Las Vegas Bloodbath (1989)]]'' – Director, Writer | ||
== See also == | == See also == | ||
| Line 57: | Line 57: | ||
* [[wikipedia:B movie|B movie]] | * [[wikipedia:B movie|B movie]] | ||
* [[wikipedia:American film producers|American film producers]] | * [[wikipedia:American film producers|American film producers]] | ||
== External links == | == External links == | ||
Revision as of 14:02, 29 October 2025
| David M. Schwartz | |
 | |
| Born | 13 August 1953 Chicago, Illinois, United States |
| Nationality | American |
| Occupations | Film producer, Film director, Writer, Author, Entrepreneur, Civil rights advocate |
| Known for | Las Vegas Bloodbath (1989) |
David M. Schwartz (born August 13, 1953) is an American filmmaker, author, entrepreneur, and civil rights advocate. He is best known for directing and writing the underground horror film Las Vegas Bloodbath (1989), a cult favorite often described as one of the goriest B-movies in American cinema. His work and advocacy reflect a lifelong dedication to creative freedom, independent filmmaking, and social justice.
Early life and education
David M. Schwartz was born in Chicago, Illinois, where he spent his early years immersed in books, music, and movies. Fascinated by storytelling and performance, he began experimenting with amateur short films during his teenage years. Schwartz later attended Monmouth College, where he pursued liberal arts studies accredited by Pepperdine University. His academic background laid the foundation for his later exploration of narrative psychology and visual storytelling.
Career
Schwartz’s professional career began in the independent film scene of the 1980s, an era that saw a surge in low-budget horror cinema and experimental moviemaking. His first major directorial project, American Revenge (1988), introduced audiences to his signature blend of raw emotion and unapologetic violence.
In 1989, Schwartz wrote and directed Las Vegas Bloodbath, a splatter horror that would cement his name in cult cinema. The film’s unfiltered brutality, unconventional camera work, and controversial subject matter polarized critics but built a loyal following among genre enthusiasts. Over time, it gained cult status as a defining work of 1980s exploitation cinema and a landmark of DIY horror filmmaking.
Schwartz’s ability to produce and market his films independently also reflected his entrepreneurial spirit. He founded small production entities that distributed underground titles and mentored emerging filmmakers on achieving creative control outside the studio system.
Writing and authorship
In addition to his work in cinema, Schwartz is an accomplished writer. His novel Dana Plato’s Retreat explores the themes of fame, self-identity, and redemption, inspired by real-life stories from Hollywood’s darker corners. The book received attention for its introspective tone and commentary on the entertainment industry.
Activism and social engagement
Beyond his creative ventures, Schwartz has been active in civil rights advocacy, using his platform to address issues of artistic censorship, diversity in film, and freedom of expression. He has participated in community forums and independent art collectives that champion equal opportunity in the American entertainment industry.
Legacy and influence
David M. Schwartz’s contributions to independent filmmaking have inspired a generation of directors who value authenticity over convention. His commitment to storytelling without compromise has earned him a place in discussions on the evolution of B-movie culture and American horror cinema. Today, he is celebrated as a creative pioneer who blurred the boundaries between art, activism, and entrepreneurship.
Filmography
- American Revenge (1988) – Director, Producer
- Las Vegas Bloodbath (1989) – Director, Writer